1. Entering the site
2. Driving by the site:
3. Contemplating the site
For project five, Montage, Juxtaposing Reality and the Image; I will develop three separated montages that will represent the site from three different perceptions or experiences.
1- Entering the site: this montage will be developed with a seriality of images that show the temporal + experiential sense of getting into the site. It will represent my own perspective and experience while I open the gate and walk through the narrow alley that takes inside the cemetery. Inspiration: Landscape in Motion (Eugene Oregon) by Patrick Dowd
2. Driving by the site: this montage aims to represent motion, the type of motion that is only experienced while driving a car. How is the site perceived from far away while in motion? What are the elements of the site that first call my attention while driving? How is my perception of the site distorted from motion? Inspiration: Blurred into motion, a forest in Snow Shoe, Pennsylvania by Rachael DiSciutto
3. Contemplating the site: this montage will aim to capture the qualities of the site in a state of stasis, when the observer experiences the site while contemplating it. This montage will explore a 360 degree view of the site paying attention to the small changes that occur over a period of 5 minutes. What are the changes of light, the light or shadow reflection on materials, the colors, the movement of wildlife, etc.? Inspiration: Topanga Canyon by David Hockney
For this next project, Emphera; Drawing motility & sensorial data, I am interested in documenting the sound, ground ‘tactile’ texture, and smell of the site. I will do this by following a designated pathway that goes across the entire site and by notating my findings as I move through the landscape. I plan to use a video camera and a GPS app on my phone to record my findings. The work below has given me inspiration on how to represent the data that comes out from my site exploration.
This week I have been looking at the work of Nathan Yau. Surprisingly, he is not an artist but a PhD in Statistics. His latest work focuses on data collection and how people use visualization in the everyday context. He developed the project Flowing Data which explores how statisticians, designers, data scientists, and others use analysis, visualization, and exploration to understand data and ourselves.
Using RunKeeper for cycling, he was able to collect data of where people run in American cities. What came out of his analysis is that people like to run by the water and in parks. Below are some of the maps he created.
Another project that I am looking at is Sensory Maps from Kate McLean. Her work focuses on investigating smell perceptions of the city environment and depicting her findings in a variety of artistic and cartographic forms. In her own words, her work “draws from contemporary cartographic theory and sensory ethnography to develop tools for analyzing sensory ethnographic findings; visual and linguistic descriptors for an odour classification system; and to contribute to debates on promoting memorable urban tourism where tourists fulfill multiple roles as authors, consumers and producers of the smellscape.” Below are some of her beautiful and interesting maps.
New Port, Rhode Island
Detail of New Port, RI map
The images below are the most final drawings for Project 1. These drawings are both studies of the Favrot family graveyard and the Penny graveyard. The first two drawings narrate the story of these burial sites as part of the Highland Cemetery story. The lives of the families and people buried here will forever become part of the cultural + physical narrative of the site. The little we know about them will remain engraved in the physical structures that remind us of their existence in this world.
The next image is part of the analysis for Project 2. The drawing represents and inventory of the Fravrot graveyard, focusing on what is below and above the datum. This landscape was traced with orthographic projections that reveal the existing structures on the site in plan, section and perspective. The drawing works as an inventory of what exists in the graveyard while focusing specifically on Luis Estevan’s grave, the most predominant burial structure in the site.
These water color drawings I created were inspired by Richard Wahdcock’s work. I was interested in representing the colors and feelings embedded on the landscape. I wanted to capture the effect that light had on the different elements of the landscape. I focused in two areas of the site: the Favrot Graveyard and the Penny Graveyard.
I have been looking at Dan Slavinsky work, particularly for the Parallax project. His series of drawings from “The End of Time Bartlett, London 2010” are conceptual renders of architecture. His style is very interesting, the way he uses line weight and monochromatic colors and shades reminds me of old maps. He uses science-fiction motives to create these creative and original drawings of architectural plans, section, and perspectives.